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蘇州拙政園作文導(dǎo)游詞350字篇一
現(xiàn)在我們看到高高的磚砌墻門的正上方，有磚雕貼金的門額“拙政園”三個(gè)字。拙政園始建于明代正德四年(1520xx年)。明代御史王獻(xiàn)臣因官場(chǎng)失意而還鄉(xiāng)，以大弘寺址拓建為園，借西晉潘岳《閑居賦》“拙者之為政”句意，自我解嘲，取名為“拙政園”。王獻(xiàn)臣死后，他的兒子以拙政園為賭注，一夜之間輸?shù)袅恕Ｗ源俗菊@400余年來(lái)，屢易其主，歷經(jīng)滄桑，幾度興衰。
拙政園與蘇州其他古典園林一樣，是典型的宅園合一，有宅有園，前宅有園的格局。拙政園的花園分東園、中園、西園三部分，整個(gè)造園以山水并重，以水池為中心，水面占全園的五分之三，亭榭樓閣皆臨水而立，倒映水中，相互映襯。
各位游客：現(xiàn)在從園門進(jìn)去便是東花園。入園后，首先映入眼簾的是東花園的主廳“蘭雪堂”?！疤m雪”二字出自李白“春風(fēng)灑蘭雪”之句，有清香高潔、超凡脫俗之意。廳堂面寬三間，中間屏門上有一幅漆雕畫(huà)，是拙政園的全景圖。從圖上看，拙政園氛圍三個(gè)部分：東部，曾取名為“歸園田居”，以田園風(fēng)光為主;中部，稱為“復(fù)園”，以池島假山取勝，也是拙政園的精華所在;西部，稱為“補(bǔ)園”，以清代建筑為主。整個(gè)院子沒(méi)有明顯的中軸線，也不對(duì)稱，但錯(cuò)落有致，疏密得體，近乎自然，是蘇州園林中布局最為精巧的一座。
走出蘭雪堂，迎面有一組太湖石假山。這塊名為“綴云峰”的假山高聳在綠樹(shù)竹蔭中，與西側(cè)涼快形狀怪異的石峰并立，叫做“聯(lián)壁”。水池邊山峰外形似船，俗名“翻轉(zhuǎn)劃龍船”。走到這里，似乎有似曾相識(shí)的感覺(jué)，大家可能都會(huì)聯(lián)想到《紅樓夢(mèng)》中大觀園進(jìn)門處的假山，同這座假山極為相似。
蘭雪堂的東北面，臨水而筑的這座卷棚歇山頂?shù)慕ㄖ?，就是“芙蓉榭”。此榭為東花園夏日賞荷的絕佳之處。面對(duì)荷花池，背倚高墻，一邊開(kāi)闊，一邊封閉，給人一種寧?kù)o的氣氛。加拿大溫哥華“逸園”中的水榭，就是參照此榭設(shè)計(jì)的。
芙蓉榭以北是一片紫薇草坪，中間聳立的那座重檐攢尖八角亭，名為“天泉閣”。閣中有“天泉井”，相傳此井為元代大弘寺東齋的遺跡。夏日可在此閣欣賞紫薇花。這座建筑物，從外面看似乎是兩層，在里面看卻只有一層。欣賞蘇州園林里的建筑物，高的樓閣要仰視。如果您站在“天泉閣”的戧角下，凝視飄動(dòng)的浮云，您似乎感到樓閣正在藍(lán)天中翱翔。這就是蘇州園林建筑物上大都建有戧角的奧秘。這些戧角，除了有利于采光和通風(fēng)外，主要是增加了動(dòng)感和美感，成了蘇州建筑的地方特色之一。
那座外觀輕快明朗，體量較大的四面廳，稱“秫香館”。顧名思義，就是欣賞稻麥飄香的地方。“樓可四觀，每當(dāng)夏秋之交，家田種秫，皆在觀望中?！爆F(xiàn)在所見(jiàn)到的“秫香館”，其主體建筑是60年代重修拙政園時(shí)從東山搬遷過(guò)來(lái)的，體量偏大，與原景略有不同。
秫香館西南，隔溪有一土山，上有長(zhǎng)方亭，名“放眼亭”，取唐代白居易“放眼看青山”詩(shī)意，亦曾叫“補(bǔ)拙亭”。在亭中居高臨下放眼四望，東園景色盡收眼底。
東中花園以這條復(fù)廊分隔，復(fù)廊的墻壁上開(kāi)有25個(gè)漏窗，不同的團(tuán)被水中波紋反射疊印，隨著步移花窗的變換，園內(nèi)景色也不斷地變化。穿過(guò)復(fù)廊的黑漆大門，便到了中部花園?？催@座半亭倚墻而作，亭中有一圓拱門，三面凌空，長(zhǎng)廊似虹，故名“倚虹亭”。站在倚虹亭旁，向西眺望，極遠(yuǎn)處又有一亭，亭內(nèi)也有一圓拱門，這就是西花園的“別有洞天”園門。而在亭臺(tái)樓閣旁，小橋流水之上，古樹(shù)花木之間，屹立著一座寶塔，那就是園外遠(yuǎn)處的北寺塔，給人以一種“庭院深深深幾許”的感覺(jué)。這一借景的手法，運(yùn)用得很成功，園主確實(shí)費(fèi)盡了心機(jī)。因?yàn)橹胁炕▓@東西長(zhǎng)，南北窄，有一種壓抑感，浴室園主利用低洼的地勢(shì)鑿池疊山。用假山遮住兩邊的圍墻，而池面上留出了大量的空間，使人感到開(kāi)闊而深遠(yuǎn)。中部花園里的建筑物，大小不同，形狀各異，高低錯(cuò)落，疏密有致。
中園是拙政園的主體部分和精華所在。總體布局以水池為中心，分布著高低錯(cuò)落的建筑物，具有江南水鄉(xiāng)特色?，F(xiàn)在各位請(qǐng)看池島假山，池岸曲折，水繞山轉(zhuǎn)。假山上的“悟竹幽居”，山頂?shù)摹按ぁ焙汀把┫阍莆低ぁ秉c(diǎn)綴其上。從東面看，一山高過(guò)一山;從南面看，一山連接一山;從西面看，一山壓倒眾山，具有中國(guó)山水畫(huà)的傳統(tǒng)構(gòu)圖特色，也體現(xiàn)了“橫看成嶺側(cè)成峰，遠(yuǎn)近高低各不同”的意境。
蘇州拙政園作文導(dǎo)游詞350字篇二
hello, everyone! my name is suzhou hangzhou, and i'm the guide of yourhumble administrator's garden.
now i'll take you to visit the humble administrator's garden, a worldcultural heritage, which is a private garden of a large family. it is the onlyscenic spot in china with four titles at the same time: national key culturalrelics protection units, national 5a scenic spots, national special touristspots, and unesco listed as world cultural heritage. why does a former privategarden have such honor? let's go to the end?
above the main door of this high fair faced brick wall door, there arethree words "humble administrator's garden". wang xianchen, the founder of thehumble administrator's garden, was an executive of the ming dynasty. he returnedto his hometown due to official frustration and started to build the humbleadministrator's garden on the basis of the site of a temple. in order to makethe garden more cultural, he invited wen zhengming, a representative of thewumen school of painting, as the chief designer, to participate in the blueprintdesign, and left the painting of the humble administrator's garden. wenzhengming, one of the four great talents in the south of the yangtze river,outlined the overall layout of the whole garden with the aesthetic taste of apainter. after more than ten years, he finally completed the construction ofthis later famous masterpiece in the south of the yangtze river. wen zhengming'sdesign, based on water, is a natural garden style, which strongly shows theaesthetic mood of chinese landscape painting. so far, taking the real naturallandscape as the blueprint and integrating the artistic representation ofchinese painting has become a major purpose of suzhou classical garden garden is named zhuozheng garden, which is borrowed from the western jindynasty literati pan yue's "leisurely residence fu" in which "build a room,plant trees, be at ease irrigate the garden with vegetables for daily meals itis also a humble person who is in charge of politics. it is implied that hetakes watering the garden and planting vegetables as his "political" after the garden was built, wang xianchen died, and his son lost the wholegarden to xu in a gamble. over the past 500 years, the humble administrator'sgarden has changed its owner many times. in history, it was spanided into twoparts and three parts, and then combined into one. the name of the garden variedfrom private garden to government garden, or scattered into folk houses. it wasnot until the 1950s that the garden was completely integrated and its originalname was restored. among the numerous historical figures in the humbleadministrator's garden, wen zhengming, cao xueqin and li xiucheng areparticularly attractive. we will introduce them one by one when we visit thescenic spots.
lanxue hall is the main hall in the east of china. the name of the hallcomes from li bai's poem "independent between heaven and earth, the breezesprinkles lanxue". the hall has three rooms facing south, with a secludedenvironment. there is a screen door in the middle of the hall. to the south ofthe screen door, we will take a look at the painting "panorama of humbleadministrator's garden", which is made with suzhou traditional lacquer carvingtechnology.
zhuozheng garden was built in zhengde period of ming dynasty in the 15thcentury. it is the largest existing classical garden in suzhou, covering an areaof 78 mu. it is mainly built by water. most of the buildings are built near thewater. the water corridor in the mountains is undulating and smooth. this grandview of the classical luxury garden, with its layout of the mountain island,bamboo dock, songgang, qushui of interest, is known as the "world gardenmodel.". the whole garden is spanided into four parts: east, middle, west andresidence. residence is a typical suzhou residence. most of the existingbuildings in the humble administrator's garden were rebuilt in 1850 when thehumble administrator's garden became the garden of zhongwangfu in the taipingheavenly kingdom.
the eastern part covers an area of about 31 mu. it was originally called"guitianyuanju" because in 1631 ad, the eastern part of the garden was namedafter wang xinyi, the shilang. it presents an idyllic landscape, with buildingsdotted among the riverbanks and trees, and streams passing at the foot of therockery, creating an open space full of wild mountains and forests.
the central part covers an area of about 18 mu, with luxuriant flowers andtrees, beautiful scenery and elegant pavilions. it is the essence of humbleadministrator's garden. the overall layout takes water as the center, and allkinds of buildings are placed near the water. the modeling is simple andelegant. the pavilions and pavilions are built near the water, and somepavilions and pavilions are straight out of the water, which has thecharacteristics of jiangnan water town. the rockery is surrounded by pools andwater, and the top of the rockery is like an island in a lake. the whole spaceis full of natural charm, and the atmosphere is quiet and secluded. it shows thegardening pattern of the ming dynasty in the 16th century, and basicallymaintains the artistic style of the ming dynasty garden designer wen zhengming -thick, simple, and sparse.
in the west, it used to be a "buyuan" with an area of about 12.5 mu. itswater surface is circuitous and its layout is compact. pavilions are built nearmountains and rivers. because of the large-scale reconstruction, the style ofcrafty and artificial art formed after the qianlong reign gained the upper hand,but the water stone part is still close to the central scenic area, and theundulating, tortuous and undulating water corridors and streams are excellentworks of suzhou garden art. the present pattern maintains the style and featuresof the late qing dynasty's rich businessman zhang luqian.
"zhuiyun peak" is a famous peak left over from ming dynasty. it was stackedby chen siyun, a master of dieshan. it stands on the rockery behind the lan xuetang, just like a cloud landing on the earth, dotted with the landscape, butalso like a barrier, hiding the garden and infinite painting behind. this"straight to the point" gardening method of "zhuoyun peak" blocking the sight ofthe guests is called "barrier scenery" and plays a fascinating role.
as soon as we enter the garden, what we see is not a panoramic pond, butthis huge lake stone. it's just like the girl who wants to meet and be ashamed,"still holding the pipa and half covering her face". here is the unique charm oforiental women, leaving a mystery and a prospect for people to explore.
according to wang xinyi's guiyuantianjuji, there is a pool in front oflanxuetang, "there are peaks in the south of the pool, and the trees aredecorated with clouds, which is called zhuiyun peak. the two peaks on the leftside of the pool stand side by side, like palms and sails, which is calledlianbi peak. " what we see now are zhuiyun peak and lianbi peak. the two lakestones stand at the intersection like patrons, just like the situation at thegate of daguan garden described in the book. they are like beasts and strange stone on the right side is distributed like a vine. it has ears andnose. it has both shape and spirit. the two peaks are the works of chen siyun, afamous stone folding artist in the late ming dynasty. the lake stones used areexquisite and delicate, taking zhao songxue's landscape paintings in the lateyuan dynasty as the model. on the summer night of 1943, zhuiyun peak suddenlycollapsed. later, under the guidance of wang xingbo, a landscape expert, thisexquisite peak was built again. today, the peak is mottled with moss and coveredwith vines.
蘇州拙政園作文導(dǎo)游詞350字篇三
humble administrator's garden. humble administrator's garden was built inming dynasty, and wang xianchen was the first owner of the garden. in jiajingand zhengde years, he lived as an official censor. in his later years, he wasnot satisfied with his official career. he returned from office and bought landto build a garden. the main scenic spots in the park are: lanxue hall, furongpavilion, shuxiang pavilion, guangyan pavilion, yuanxiang hall, xiaocanglangpavilion, liuting pavilion, fucui pavilion, etc.
the whole garden is spanided into four parts: east, middle, west andresidence. the residence is a typical suzhou residence, which is now arranged asa garden museum exhibition hall. the eastern part is bright and cheerful, withpinggang yuanshan, songlin lawn and zhuwu qushui as the main parts. the mainscenic spots are: lanxue hall, zhuoyun peak, furong pavilion, tianquan pavilion,shuxiang pavilion, etc. the central part is the essence of humbleadministrator's garden. the area of the pool is 1/3. water is the main form. thepool is wide and luxuriant. the scenery is natural. there are differentbuildings with different shapes and sizes. the main attractions are: yuanxianghall, xiangzhou, hefeng pavilion, jianshanlou, xiaofeihong, pipa garden, main building in the west is the 36 yuanyang hall, which is close to theside of the residence. the pool is in the shape of a curved ruler. it ischaracterized by the separation of the platform and the hall, the undulatingcorridor, the reflection of the water wave, the unique taste, and the gorgeousand exquisite decoration. the main scenic spots are: 36 yuanyang hall, invertedphoto studio, who to sit with, water gallery, etc.
introduction to dongyuan
lanxue hall: it is the main hall in the east. the name of the hall comesfrom li bai's poem "independent between heaven and earth, the breeze sprinkleslanxue". it was first built in the eighth year of chongzhen (1635) of the mingdynasty. according to the records of the garden owner wang xinyi's"guiyuantianju", lanxue hall is a five ying thatched cottage, "the east and westosmanthus trees are screens, and then there are mountains like a sheet, withplum blossoms growing vertically and horizontally. there is bamboo outside theplum. bamboo is near the monk's house. the sound of buddhism comes from bambooat dusk. "the environment is secluded. in front of the hall, the two white pinesare vigorous and clumsy, the bamboo on the wall is green, the lake stone isexquisite, the green grass is in the path, and the east and west courtyard wallsare connected. the hall has three rooms facing south. the plaque of "lan xuetang" is high, and the long window is on the ground. there is a screen door inthe middle of the hall. the south side of the screen door is a lacquer carvingpanorama of humble administrator's garden, and the north side of the screen dooris a picture of green bamboo. all of them adopt the traditional suzhou lacquercarving process. the two sides of the screen door are carved with figures andlandscapes on the partition skirts.
zhuiyun peak: in the north of lanxuetang, the peak is towering in the shadeof green trees and bamboos. in the north of shanxi, two peaks stand side byside, named "lianbi". jieyun peak and lianbi peak are the scenic spots ofguiyuantianju. according to wang xinyi's guiyuantianjuji, there is a pool infront of lanxuetang, "there are peaks in the south of the pool, and the treesare decorated with clouds, which is called zhuiyun peak. the two peaks on theleft side of the pool stand side by side, like palms and sails, which is calledlianbi peak. " the two peaks are the works of chen siyun, a famous stone foldingartist in the late ming dynasty. the lake stones used are exquisite anddelicate, taking zhao songxue's landscape paintings in the late yuan dynasty asthe model. from bottom to top, the shape of jieyun peak is gradually larger, andits top is as big as a cloud, standing upright and independent, without the summer night of 1943, zhuiyun peak suddenly collapsed. later, under theguidance of wang xingbo, a landscape expert, this exquisite peak was builtagain. today, the peak is mottled with moss and covered with vines.
furong pavilion: the pavilion is a very beautiful architectural form inancient china. it is made up of the surrounding scenery and its form isflexible. the roof of furong pavilion is the top of the mountain. the fourcorners fly up. half of the pavilion is built on the shore, and the other halfis extended to the water. the sky stands on the water, standing at the edge ofthe water. this pavilion faces a wide pool with clear water, which is a goodplace to enjoy lotus in summer. walking along the hibiscus pavilion and lookingaround on the fence, you can see that the pool is full of green, pink and blackwater, elegant and elegant, like a graceful fairy looking forward to the bluewaves. the breeze rises suddenly, setting off a green wave, sending bursts oflotus fragrance enjoy the beauty, elegance and noble character of lotus.
tianquan pavilion: it is an octagonal pavilion with double eaves. the eavesare high and the outside is a cloister. it is solemn and simple. there is a sillbetween the pillars for sitting and enjoying. surrounded by lawns, flowers andtrees. the small slope of pinggang in the north of the pavilion is lush withtrees. the pavilion is named "tianquan" because there is a well under it. thewell does not dry up all the year round and the water quality is sweet, so it iscalled "tianquan". according to the records of qianlong changzhou county annals,during the dade period of the yuan dynasty, there was a temple called dahongtemple. after another hundred years, monk yuze lived here and built a"dongzhai". there is a well before zhai, which is called "tianquan". suzhou is aland of water, with many rivers, bridges and wells, but few of them are recordedin history. as soon as wang xin built "guiyuantianju", he kept the well, whichalso added some pastoral scenery to the garden.
shuxiang pavilion: shuxiang refers to the fragrance of rice. in the past,there were farmland outside the walls. during the harvest season, the autumnwind sent gusts of rice fragrance, which made people intoxicated. hence the nameof the pavilion. shuxiang hall is the main building in the east, facing waterand mountains. it is a single eaves structure. the room is spacious and are 48 pieces of boxwood carvings on the long window skirt. according tothe experts' research, one is the romance of the west chamber, and the other isjinyu ruyi. among them, there are scenes such as "zhang sheng jumps over thewall to meet mandarin ducks", "copy red" and "long pavilion to see off" in theromance of the western chamber, which are exquisitely carved, rich and sunset, a touch of afterglow fell on the long window of shuxiang the exquisite wood carving of skirt board, the shuxiang pavilion isdecorated with simple elegance and unique taste.
hanqing pavilion: garden architecture, with pavilion changes. pavilion is akind of hut with only roof but no wall. it is exquisite and light. it isgenerally composed of roof, column body and platform base. in the garden, youcan point and view the scenery, and also provide people with rest, cool andshelter from the rain. the humble administrator's garden has many pavilions anddifferent forms. hanqing pavilion is located in a corner with narrow r, the gardener built a combined half pavilion with a tall white wall asthe base, one main pavilion and two subordinate pavilions. the flat seat of themain pavilion is above the water surface, just like a waterside pavilion. theauxiliary pavilions on both sides are slightly backward and spread to the leftand right, just like a corridor. the main pavilion has two berms and theauxiliary pavilion has one berm. the whole pavilion is just like a phoenixspreading its wings, adding momentum to the originally flat and monotonous wall. reclining on the edge of the pavilion, the beauty sits on the edge of thepavilion. in the sky, clouds and water, the koi roam and the lotus swings.
introduction to zhongyuan
yihong pavilion: sitting on the straight corridor to the west of thecomplex corridor, facing the east and the west, the corridor meanders behind,and the water and trees are broad in front. it is an excellent viewing pointafter entering the central garden. on the right side of the pavilion is wu zhu'ssecluded residence. in front of the pavilion is a small blue stone bridge, namedyihong bridge. the fence and stone quality reflect the style of the mingdynasty, which seems to be a relic of the humble administrator's garden of theming dynasty. standing in the pavilion, the open pool water in the middle andthe curved bridge spanide the water. in midsummer, the lotus in the pool iscovered with red clothes, which is full of jiangnan style. deep in the shade, abeautiful and exquisite pagoda can be seen. this is a way of borrowing sceneryto borrow the beisi pagoda, which is more than 1000 meters away from the is a good example of "yuanjie" in "jiejing".
wuzhu seclusion: wuzhu seclusion with unique architectural style andingenious design is a square pavilion, which is the main view in the east of thecentral pool. the pavilion is surrounded by corridors, red pillars and whitewalls, cornices and raised corners, backed by long corridors, facing the widepool, with wutong shading and bamboo trees. the beauty of the pavilion is thatthere are four round openings on the white walls around the pavilion. the holesare round and the holes cover the holes. the four round openings are not onlytransparent, daylighting and elegant, but also form four beautiful frame scenesof flowers and windows, small bridges and flowing water, beautiful scenery oflakes and mountains, and the charm of bamboo. the plaque of "wuzhu secludedresidence" is in the style of wen zhengming. the couplet is written by zhaozhiqian, a famous calligrapher in the late qing dynasty. the first couplet usestwo loan words to point out the intimate relationship between human beings andthe wind, moon and nature. the second couplet uses movement, emptiness andreality to set off and contrast each other.
snow fragrance cloud pavilion: snow fragrance, refers to plum refers to the flourishing of flowers and trees. this pavilion is suitablefor appreciating plum trees in early spring. plum trees are planted beside thepavilion and the fragrance floats. surrounded by green bamboos and lush trees,it is quite interesting to walk around the river. the pavilion is rectangular,on the earth mountain in the central and western part of the pool. itsappearance is simple and light. the plaque "between mountain flowers and wildbirds" in the pavilion is written by qian juntao, a contemporary calligrapherand painter.
jiashiting: many loquat trees are planted in the garden. loquat trees havebuds in autumn, blossom in winter, bear fruit in spring and mature in summer. itcontains the atmosphere of four seasons and forms a golden pill. jiashi pavilionis not only a praise of jiangnan famous garden, but also a celebration ofharvest. there is a square window opening in the middle of the pavilion wall. onone side of the window opening is the taihu stone. beside the stone, there arewintersweet and banana in summer, forming a natural three-dimensional h the entrance of the loquat garden, jiashi pavilion and xuexiang yunweipavilion form a group of scenery, which is one of the artistic techniques ofgardening.
listen to yuxuan
in the east of the harvest pavilion, it is connected with the curvedcorridor of the surrounding buildings. in front of the pavilion, there is a poolof clear water with lotus; beside the pool, there are plantains and greenbamboos; behind the pavilion, there are also plantains. in the five dynasties,li zhong, a poet of the southern tang dynasty, wrote a poem: "listen to the raincoming into autumn bamboo, leave monks to cover old chess"; yang wanli, a poetof the song dynasty, wrote a poem "autumn rain sigh", which said: "banana leavesare half yellow, lotus leaves are green, two autumn rain families have onefamily voice"; zhou qianjuan, a modern suzhou horticulturist, wrote a poem"banana leaves are drizzling, but the sound of broken jade is still heard in hisdream." there are banana, green bamboo and lotus leaves here. no matter inspring, summer, autumn and winter, as long as it's rainy night, because the rainfalls on different plants, and people listen to the rain have differentattitudes, they can hear the sound of rain with different tastes. it's wonderfuland has a unique charm.
haitangchunwu: it is a small independent courtyard separated by the flowerwall on the east side of linglong hall. the book style brick forehead withunique shape is embedded in the south wall of the courtyard. there are severalbegonias in the hospital. in the early spring, the flowers are as beautiful asjasper in a small family. they are beautiful and beautiful. the literatieulogized it. the courtyard floor is inlaid with green, red and white pebbles toform begonia pattern. the decorative patterns of tea table in the hospital areall begonia patterns. there are scenic spots everywhere. although the courtyardis small and quiet, it is an ideal place for reading and rest.
yuanxiang hall: yuanxiang hall is a four side hall, which is the mainbuilding in the middle of humble administrator's garden. it was built inqianlong period of qing dynasty on the site of ruoshu hall in zhengde of mingdynasty, and the base of bluestone house is the original thing at that time. itis built on the surface of water, with a single eaves resting on the top of themountain and three rooms wide. the north platform of the hall is spacious andclear. the lotus pond is wide, with red clothes and green cover, and pleasantfragrance. the name of the hall is based on the famous sentence of "xiang yuanyi qing" in zhou dunyi's "ai lian shuo". lotus flowers are planted all over thewater, so it gets its name. in summer, the lotus leaf field in the pool, thelotus wind blowing on the face, and the fragrance sending far away, is a goodplace to appreciate the lotus. the garden owner borrows the flower from themetaphor, has expressed the garden owner noble sentiment. the hall is decoratedwith transparent and exquisite glass floor long windows with neatspecifications. due to the emptiness of the long windows, there are variousinteresting scenery around, such as mountain light, water and shadow. you canhave a panoramic view, just like watching mountains and rivers. the interiorfurnishings are elegant and exquisite.
xiaofeihong: suzhou is a water town, humble administrator's garden is awater garden, where there is water, there is bridge. in the humbleadministrator's garden, there are stone slab bridges, stone arch bridges, is the only corridor bridge in suzhou gardens. it is named after the poem"flying rainbow overlooking the qin river, misty and light string" written bybao zhao in the song dynasty. the scarlet bridge hurdles are reflected in thewater, and the water is sparkling, just like a rainbow, so it is named. therainbow is a colorful bridge across the earth after the rain. the ancients usedthe rainbow to describe the bridge with a wonderful intention. it is not only achannel connecting water and land, but also a unique landscape centered on thebridge. xiaofeihong bridge is a three span stone beam, slightly arched, in theshape of eight. both sides of the bridge deck are equipped with ten thousandcharacter guardrails, three rooms and eight columns, covering the corridorhouse. the eaves are decorated with upside down lintels. the two ends of thebridge are connected with the curved corridor, which is a beautiful corridorbridge.
xiaocanglang: xiaocanglang takes the name of "canglang pavilion" of sushunqin in the northern song dynasty as the name of the pavilion, implyingseclusion. the small pavilion is three rooms wide, with south windows and northsills. it faces the water on both sides. its shape is very unique. it looks likea house but not a house, like a boat but not a boat, like a bridge but not abridge. it is a water pavilion on the water. across the pool, the water pavilionspanides the water surface again, making the end of zhongyuan shuiwei seeminglycontinuous, with superb artistic techniques. surrounded by pavilions andcorridors, it forms an open quiet water courtyard. once upon a time, there weremany families of literati and officials in the ancient city of suzhou. no matterthey were chinese houses or ordinary houses, they all paid special attention tothe decoration of small space. this small space was the courtyard, and the watercourtyard was the unique small wave. on the one hand, it reflected the customsof the water town in the south of the yangtze river. on the other hand, becauseof the water landscape, the courtyard built a special cool environment byborrowing the scenery inside and outside.
songfengshui pavilion: pines, bamboos and plums are known as the "threefriends of the winter" in traditional chinese culture. in the literati freehandgarden, they are especially fond of planting such "bide" plants to express themaster's thoughts and feelings. the pine tree does not wither in the cold and isevergreen all the year round. the ancients described it as a person with noblemoral sentiment. the vigorous and clumsy posture of pine is often depicted inthe picture, and it is one of the main tree species in chinese ngshui pavilion, also known as "listening to songfengchu", is a place tosee songtingtao. the water pavilion has a sharp square roof, and the space isclosed. it is accessed by a small gate in the corridor. the other three sidesadopt the structure of half wall and half window. the eaves of the roof are verylarge, and the cornices are especially high, showing the elegant and lightstyle. the whole building is not in the regular direction of due south and duenorth, but slants over 45 degrees, and is suspended on the water, which canavoid the sun and ventilate. it is most suitable for viewing in summer. thereare several black pines planted on the side of the pavilion. the wind blows, thepine branches move far away, the pine waves sound, the color and sound are allready. it is a unique landscape.
xiangzhou: xiangzhou is a "boat" type structure with two storeys of whole body is elegant and free. its posture is reflected in the water,making it more elegant and elegant. xiangzhou reposes the ideal and sentiment ofliterati. xiangzhou uses the allusion of "fangzhou" in qu yuan's works. there isa sentence in the songs of chu that "if you pick fangzhou, you will leave yourdaughter.". in ancient times, vanilla was often used as a metaphor for a nobleman. here, lotus landscape is used as a metaphor for vanilla, which is also veryappropriate. among the numerous stone boats in chinese classical gardens, thehumble administrator's garden xiangzhou is probably the most beautiful one. thebow of the boat is a platform, the front cabin is a pavilion, the middle cabinis a pavilion, and the stern is a pavilion. the lines of the pavilion are gentleand undulating, and the scale is appropriate. it reminds people of the warmmountains and soft waters and the picturesque boats in suzhou, hangzhou,yangzhou in ancient times. xiangzhou is located at the edge of the water, justat the intersection of the east and west water flow and the north-south is surrounded by water on three sides and on the other side by the bank. thespringboard composed of three stone bars boarded the "boat" and stood in the bowof the boat, rippling and bright all around. the garden is beautiful andrefreshing. the sun is scorching, but the wind blows here, and it's cool. on thebow of the xiangzhou ship, there was a inscription written by wen zhengming,which was specially inscribed and postscript by later generations. xiangzhou, adry boat, is elegant, exquisite and fascinating, which makes people feel apursuit of noble personality.
lotus wind pavilion: the pavilion is named for lotus. it is located on asmall island in the middle of the garden. it is surrounded by water. the lotuspavilion is planted in the lake. willow branches are dancing on the lake pavilion has a single eaves and six corners. it is transparent on all are holding column couplets in the pavilion: "lotus on all sides, willowon three sides, half pool, autumn water and one fangshan." it's very appropriatehere. in particular, the word "wall" in lianzhong is well used. the pavilion isthe most open building. there is no wall between the columns, so the sight isnot blocked. it feels transparent and bright. although there is no wall, thewillows on the three sides of the river bank are luxuriant and surrounded byhibiscus. isn't it a green fragrant and soft wall? the moving exaggeration andrich imagination make the pavilion on this island more beautiful it lookscolorful and charming. the wind blows on the wall, the green waves roll, thefragrance overflows, and the color, fragrance and shape are excellent. lightwillows in spring, bright lotus in summer, clear water in autumn, quietmountains in winter, and lotus wind. pavilions are not only suitable for summerand summer, but also for all seasons. if you look down at the pavilion from aheight, you can see that the pavilion is out of the water, the cornice isprotruding, the red pillars are tall and straight, and the base is jade is clearly a bright pearl in the arms of lotus in the pond.
蘇州拙政園作文導(dǎo)游詞350字篇四
歡迎大家來(lái)拙政園參觀。
拙政園和我市的留園、北京的頤和園、承德的避暑山莊合稱為我國(guó)的“四大名園”。后兩個(gè)屬北方皇家園林，規(guī)模宏大，裝飾繁復(fù)，金碧輝煌，充滿滿清的審美趣味;而我們蘇州的兩個(gè)花園是典型的南方文人寫意園，宅園緊湊小巧，素樸精雅，是文人現(xiàn)實(shí)生活中的桃花源。
拙政園是中國(guó)古代造園藝術(shù)的集大成者。風(fēng)格疏朗，創(chuàng)造的山水親和喜人，蘊(yùn)含著豐富多彩的人生哲學(xué)，是中國(guó)最典型的明代園林作品。同時(shí)，在中部花園山水處理上的偉大成就，“一池三島”的格局成為了后世園林創(chuàng)作的范本。被世人譽(yù)為“中國(guó)園林之母”。
拙政園也是蘇州最大的私家花園，占地5公頃。它的創(chuàng)意構(gòu)思由當(dāng)時(shí)最著名的畫(huà)家之一、“明四家”中的文征明先生執(zhí)筆而成。拙政園始建于1520xx年，從畫(huà)到園，前后歷時(shí)20xx年。歷史上幾經(jīng)興廢，園主幾經(jīng)變更，其中包括太平天國(guó)忠王李秀成。相傳中國(guó)最著名的古典小說(shuō)《紅樓夢(mèng)》的作者曹雪芹先生曾經(jīng)住在這里，所以有關(guān)大觀園的許多描寫都與拙政園的園景相吻合。
第一任園主王獻(xiàn)臣是明朝的監(jiān)察使，相當(dāng)于現(xiàn)在的檢察官，監(jiān)督地方官員的吏政情況，職位顯赫;官場(chǎng)失意后還鄉(xiāng)，在蘇州城內(nèi)東北角置地建屋，就是現(xiàn)在的“拙政園”。名字源于晉代潘岳的文章，“灌園鬻蔬”，“此亦拙者之為政也”。自嘲地說(shuō)，自己才學(xué)淺薄不能得到皇帝的賞識(shí)而行治國(guó)平天下的壯志，只配回家作一農(nóng)夫，從此不理朝政，享受隱退林泉的雅興。就象這座“蘭雪堂”的名字，取自詩(shī)句“清風(fēng)灑蘭雪”，表達(dá)主人潔白自持、瀟灑大方的志趣。
在這幅漆雕屏風(fēng)上我們可以清楚地看到拙政園由兩條游廊分成三部分：東部以田園風(fēng)光為主，明代王心一買下后取名為“歸田園居”。曾經(jīng)遭到嚴(yán)重的破壞，保留的建筑很少。如今在這一部分我們可以看到很多高大的珍貴樹(shù)種和典型的古典建筑。中部是全園的精華所在，又稱“復(fù)園”，完好地保留了明代簡(jiǎn)雅而鋪張、敦厚而輕靈的風(fēng)格，在布局設(shè)計(jì)、建筑造型、書(shū)畫(huà)雕塑、花木園藝上有很高的藝術(shù)造詣。西部是清代主人張履謙重修的，稱“補(bǔ)園”，色彩上有了藍(lán)色的裝點(diǎn)，風(fēng)格上帶有明顯的清代時(shí)尚特征。
同時(shí)，我們從這幅漆雕畫(huà)上可以看到，園中絕大部分的建筑都與水相鄰，面對(duì)水面或者挑起凌空于水面之上，它們的名字也都得靈感于流動(dòng)著連接著園中各處的水，把江南水鄉(xiāng)特有的風(fēng)致描摹得精彩絕倫。特別是水中遍植的荷花，或擁翠堆綠，或紅白點(diǎn)綴，或枯枝待雨，古人賦予它的“出污泥而不染”的高尚情操和園主青睞于它的“香遠(yuǎn)益清”，這些催發(fā)詩(shī)人清愁的物事在這里都因園景需要各有表現(xiàn)。如今，拙政園一年一度的“荷花節(jié)”，不但集及了百余種荷花品種，還精心使千年古蓮子發(fā)芽，并培育出碗蓮等珍貴的觀賞品種，贏得了游客嘖嘖稱贊。
【出蘭雪堂西門，在綴云峰前】
一來(lái)到花園里，園主給我們觀賞的竟然是一塊巨大的湖石，遮擋了園中秀麗的景色，反而更激起我們游園的興趣。進(jìn)門見(jiàn)山這種處理方法，在造園手法上，稱作“抑景”。既是屏障，相當(dāng)于園門入口處屏風(fēng)的功能;又因自身的美感淡化了它本身的實(shí)用功能而成為一景。就好象“猶抱琵琶半遮面”一樣，遮遮擋擋的，卻使欣賞者更想見(jiàn)識(shí)“廬山真面目”了。含蓄而委婉的表達(dá)藝術(shù)是蘊(yùn)藉在我們東方人血液中的，也正是所謂的“東方魅力”吧。在拙政園的任何一點(diǎn)看花園，你都看不到它的全部，以圍墻、游廊、樹(shù)木等把整個(gè)花園分割并連接成一個(gè)個(gè)相對(duì)獨(dú)立的部分，園中有園，園外還有園，別有洞天。一個(gè)個(gè)障景，象眼前的“綴云峰”，閉合、展開(kāi)的過(guò)程譜寫了游園的節(jié)奏之美。而園中道路曲折起伏，連石橋都是一波三折，使我們觀園的視角時(shí)刻發(fā)生變化，園林景色在光影變化中精彩紛呈，達(dá)到“移步換景”的審美感覺(jué)，如同展開(kāi)一幅描繪主人心跡的山水古畫(huà)。在這點(diǎn)上，拙政園由畫(huà)而園、游園成畫(huà)的特色是中國(guó)畫(huà)和蘇州古典園林相互結(jié)合、相互影響最好的例證了。
中西方文化截然不同，以凡爾賽宮為代表的西方花園是古典主義時(shí)期笛卡兒理論的實(shí)踐。它的開(kāi)闊與部分功能和我們先秦的宮苑有相似之處。走出宮殿，整個(gè)花園一覽無(wú)遺，可以一直望到盡頭的阿波羅池塘，好象和西方人的直率不謀而合。在中軸線大道兩旁，苗圃以各種幾何形圖案修剪排列著，工整有序，同時(shí)樹(shù)木也修成錐形、柱形或圓形，用笛卡兒幾何原理來(lái)塑造自然，來(lái)迎合當(dāng)時(shí)朝廷講究禮儀、尋求秩序的潮流。它產(chǎn)生的背景是路易十四希望遷都凡爾賽，重造王室的威望，所以成為園中最重要的“阿波羅”。也許因?yàn)槠渲币彩チ撕芏唷傲祷鳌钡臉?lè)趣。
我們的拙政園和法國(guó)的凡爾賽花園都是一種文化的沉淀和時(shí)代的產(chǎn)物。盡管在形式上兩者千差萬(wàn)別，但都是把人類的意志強(qiáng)加于大自然，按主人的趣味、文化加以修飾，只不過(guò)我們的花園更自然化，已經(jīng)超越了第一次的抽象，把抽象再賦予具體的自然形式，進(jìn)入返樸歸真的新境界。同時(shí)我們還在建筑上創(chuàng)造了千變?nèi)f化的建筑形式，優(yōu)美的曲線與自然的曲折相映襯，使人類的活動(dòng)一直在大自然的懷抱中。整飭山水而使野趣天成，這一理念同時(shí)極大地影響了十八世紀(jì)的歐洲造園事業(yè)，在德國(guó)、法國(guó)、英國(guó)、都出現(xiàn)了仿蘇州式的花園的出現(xiàn)。
熟悉《紅樓夢(mèng)》的游客注意往左看，兩座湖石站在路口象守護(hù)神一樣，正好和書(shū)中描述的大觀園門口的情況一致，一象猛獸，一象鬼怪。右面這鬼怪石，藤蘿似散發(fā)，有耳有鼻，形神兼?zhèn)?。曹雪芹先生的祖父在蘇州織造府為官多年，小時(shí)候居住園中，耳濡目染，把拙政園的勝景嫁接到他心目中的大觀園也在情在理，秫香館也成了稻香村，見(jiàn)山樓成了藕香榭等等，為我們的拙政園也添色不少。
蘇州拙政園作文導(dǎo)游詞350字篇五
各位游客：現(xiàn)在我們位于的是蘇州古城東北面最大的名園“拙政園”。它與北京頤和園、承德避暑山莊、蘇州留園合稱為中國(guó)“四大名園”，被譽(yù)為“天下園林之母”。有人說(shuō)，拙政園酷似我國(guó)古代文學(xué)巨著《紅樓夢(mèng)》中所描述的大觀園，這話究竟有沒(méi)有道理?還是請(qǐng)大家跟我走進(jìn)拙政園，去探尋一下大觀園的影子吧!
現(xiàn)在我們看到高高的磚砌墻門的正上方，有磚雕貼金的門額“拙政園”三個(gè)字。拙政園始建于明代正德四年(1520__年)。明代御史王獻(xiàn)臣因官場(chǎng)失意而還鄉(xiāng)，以大弘寺址拓建為園，借西晉潘岳《閑居賦》“拙者之為政”句意，自我解嘲，取名為“拙政園”。王獻(xiàn)臣死后，他的兒子以拙政園為賭注，一夜之間輸?shù)袅恕Ｗ源俗菊@400余年來(lái)，屢易其主，歷經(jīng)滄桑，幾度興衰。
拙政園與蘇州其他古典園林一樣，是典型的宅園合一，有宅有園，前宅有園的格局。拙政園的花園分東園、中園、西園三部分，整個(gè)造園以山水并重，以水池為中心，水面占全園的五分之三，亭榭樓閣皆臨水而立，倒映水中，相互映襯。
各位游客：現(xiàn)在從園門進(jìn)去便是東花園。入園后，首先映入眼簾的是東花園的主廳“蘭雪堂”。“蘭雪”二字出自李白“春風(fēng)灑蘭雪”之句，有清香高潔、超凡脫俗之意。廳堂面寬三間，中間屏門上有一幅漆雕畫(huà)，是拙政園的全景圖。從圖上看，拙政園氛圍三個(gè)部分：東部，曾取名為“歸園田居”，以田園風(fēng)光為主;中部，稱為“復(fù)園”，以池島假山取勝，也是拙政園的精華所在;西部，稱為“補(bǔ)園”，以清代建筑為主。整個(gè)院子沒(méi)有明顯的中軸線，也不對(duì)稱，但錯(cuò)落有致，疏密得體，近乎自然，是蘇州園林中布局最為精巧的一座。
走出蘭雪堂，迎面有一組太湖石假山。這塊名為“綴云峰”的假山高聳在綠樹(shù)竹蔭中，與西側(cè)涼快形狀怪異的石峰并立，叫做“聯(lián)壁”。水池邊山峰外形似船，俗名“翻轉(zhuǎn)劃龍船”。走到這里，似乎有似曾相識(shí)的感覺(jué)，大家可能都會(huì)聯(lián)想到《紅樓夢(mèng)》中大觀園進(jìn)門處的假山，同這座假山極為相似。
蘭雪堂的東北面，臨水而筑的這座卷棚歇山頂?shù)慕ㄖ?，就是“芙蓉榭”。此榭為東花園夏日賞荷的絕佳之處。面對(duì)荷花池，背倚高墻，一邊開(kāi)闊，一邊封閉，給人一種寧?kù)o的氣氛。加拿大溫哥華“逸園”中的水榭，就是參照此榭設(shè)計(jì)的。
芙蓉榭以北是一片紫薇草坪，中間聳立的那座重檐攢尖八角亭，名為“天泉閣”。閣中有“天泉井”，相傳此井為元代大弘寺東齋的遺跡。夏日可在此閣欣賞紫薇花。這座建筑物，從外面看似乎是兩層，在里面看卻只有一層。欣賞蘇州園林里的建筑物，高的樓閣要仰視。如果您站在“天泉閣”的戧角下，凝視飄動(dòng)的浮云，您似乎感到樓閣正在藍(lán)天中翱翔。這就是蘇州園林建筑物上大都建有戧角的奧秘。這些戧角，除了有利于采光和通風(fēng)外，主要是增加了動(dòng)感和美感，成了蘇州建筑的地方特色之一。
那座外觀輕快明朗，體量較大的四面廳，稱“秫香館”。顧名思義，就是欣賞稻麥飄香的地方?！皹强伤挠^，每當(dāng)夏秋之交，家田種秫，皆在觀望中。”現(xiàn)在所見(jiàn)到的“秫香館”，其主體建筑是60年代重修拙政園時(shí)從東山搬遷過(guò)來(lái)的，體量偏大，與原景略有不同。
秫香館西南，隔溪有一土山，上有長(zhǎng)方亭，名“放眼亭”，取唐代白居易“放眼看青山”詩(shī)意，亦曾叫“補(bǔ)拙亭”。在亭中居高臨下放眼四望，東園景色盡收眼底。
東中花園以這條復(fù)廊分隔，復(fù)廊的墻壁上開(kāi)有25個(gè)漏窗，不同的團(tuán)被水中波紋反射疊印，隨著步移花窗的變換，園內(nèi)景色也不斷地變化。穿過(guò)復(fù)廊的黑漆大門，便到了中部花園?？催@座半亭倚墻而作，亭中有一圓拱門，三面凌空，長(zhǎng)廊似虹，故名“倚虹亭”。站在倚虹亭旁，向西眺望，極遠(yuǎn)處又有一亭，亭內(nèi)也有一圓拱門，這就是西花園的“別有洞天”園門。而在亭臺(tái)樓閣旁，小橋流水之上，古樹(shù)花木之間，屹立著一座寶塔，那就是園外遠(yuǎn)處的北寺塔，給人以一種“庭院深深深幾許”的感覺(jué)。這一借景的手法，運(yùn)用得很成功，園主確實(shí)費(fèi)盡了心機(jī)。因?yàn)橹胁炕▓@東西長(zhǎng)，南北窄，有一種壓抑感，浴室園主利用低洼的地勢(shì)鑿池疊山。用假山遮住兩邊的圍墻，而池面上留出了大量的空間，使人感到開(kāi)闊而深遠(yuǎn)。中部花園里的建筑物，大小不同，形狀各異，高低錯(cuò)落，疏密有致。
中園是拙政園的主體部分和精華所在。總體布局以水池為中心，分布著高低錯(cuò)落的建筑物，具有江南水鄉(xiāng)特色?，F(xiàn)在各位請(qǐng)看池島假山，池岸曲折，水繞山轉(zhuǎn)。假山上的“悟竹幽居”，山頂?shù)摹按ぁ焙汀把┫阍莆低ぁ秉c(diǎn)綴其上。從東面看，一山高過(guò)一山;從南面看，一山連接一山;從西面看，一山壓倒眾山，具有中國(guó)山水畫(huà)的傳統(tǒng)構(gòu)圖特色，也體現(xiàn)了“橫看成嶺側(cè)成峰，遠(yuǎn)近高低各不同”的意境。
蘇州拙政園作文導(dǎo)游詞350字篇一
現(xiàn)在我們看到高高的磚砌墻門的正上方，有磚雕貼金的門額“拙政園”三個(gè)字。拙政園始建于明代正德四年(1520xx年)。明代御史王獻(xiàn)臣因官場(chǎng)失意而還鄉(xiāng)，以大弘寺址拓建為園，借西晉潘岳《閑居賦》“拙者之為政”句意，自我解嘲，取名為“拙政園”。王獻(xiàn)臣死后，他的兒子以拙政園為賭注，一夜之間輸?shù)袅恕Ｗ源俗菊@400余年來(lái)，屢易其主，歷經(jīng)滄桑，幾度興衰。
拙政園與蘇州其他古典園林一樣，是典型的宅園合一，有宅有園，前宅有園的格局。拙政園的花園分東園、中園、西園三部分，整個(gè)造園以山水并重，以水池為中心，水面占全園的五分之三，亭榭樓閣皆臨水而立，倒映水中，相互映襯。
各位游客：現(xiàn)在從園門進(jìn)去便是東花園。入園后，首先映入眼簾的是東花園的主廳“蘭雪堂”?！疤m雪”二字出自李白“春風(fēng)灑蘭雪”之句，有清香高潔、超凡脫俗之意。廳堂面寬三間，中間屏門上有一幅漆雕畫(huà)，是拙政園的全景圖。從圖上看，拙政園氛圍三個(gè)部分：東部，曾取名為“歸園田居”，以田園風(fēng)光為主;中部，稱為“復(fù)園”，以池島假山取勝，也是拙政園的精華所在;西部，稱為“補(bǔ)園”，以清代建筑為主。整個(gè)院子沒(méi)有明顯的中軸線，也不對(duì)稱，但錯(cuò)落有致，疏密得體，近乎自然，是蘇州園林中布局最為精巧的一座。
走出蘭雪堂，迎面有一組太湖石假山。這塊名為“綴云峰”的假山高聳在綠樹(shù)竹蔭中，與西側(cè)涼快形狀怪異的石峰并立，叫做“聯(lián)壁”。水池邊山峰外形似船，俗名“翻轉(zhuǎn)劃龍船”。走到這里，似乎有似曾相識(shí)的感覺(jué)，大家可能都會(huì)聯(lián)想到《紅樓夢(mèng)》中大觀園進(jìn)門處的假山，同這座假山極為相似。
蘭雪堂的東北面，臨水而筑的這座卷棚歇山頂?shù)慕ㄖ?，就是“芙蓉榭”。此榭為東花園夏日賞荷的絕佳之處。面對(duì)荷花池，背倚高墻，一邊開(kāi)闊，一邊封閉，給人一種寧?kù)o的氣氛。加拿大溫哥華“逸園”中的水榭，就是參照此榭設(shè)計(jì)的。
芙蓉榭以北是一片紫薇草坪，中間聳立的那座重檐攢尖八角亭，名為“天泉閣”。閣中有“天泉井”，相傳此井為元代大弘寺東齋的遺跡。夏日可在此閣欣賞紫薇花。這座建筑物，從外面看似乎是兩層，在里面看卻只有一層。欣賞蘇州園林里的建筑物，高的樓閣要仰視。如果您站在“天泉閣”的戧角下，凝視飄動(dòng)的浮云，您似乎感到樓閣正在藍(lán)天中翱翔。這就是蘇州園林建筑物上大都建有戧角的奧秘。這些戧角，除了有利于采光和通風(fēng)外，主要是增加了動(dòng)感和美感，成了蘇州建筑的地方特色之一。
那座外觀輕快明朗，體量較大的四面廳，稱“秫香館”。顧名思義，就是欣賞稻麥飄香的地方。“樓可四觀，每當(dāng)夏秋之交，家田種秫，皆在觀望中?！爆F(xiàn)在所見(jiàn)到的“秫香館”，其主體建筑是60年代重修拙政園時(shí)從東山搬遷過(guò)來(lái)的，體量偏大，與原景略有不同。
秫香館西南，隔溪有一土山，上有長(zhǎng)方亭，名“放眼亭”，取唐代白居易“放眼看青山”詩(shī)意，亦曾叫“補(bǔ)拙亭”。在亭中居高臨下放眼四望，東園景色盡收眼底。
東中花園以這條復(fù)廊分隔，復(fù)廊的墻壁上開(kāi)有25個(gè)漏窗，不同的團(tuán)被水中波紋反射疊印，隨著步移花窗的變換，園內(nèi)景色也不斷地變化。穿過(guò)復(fù)廊的黑漆大門，便到了中部花園?？催@座半亭倚墻而作，亭中有一圓拱門，三面凌空，長(zhǎng)廊似虹，故名“倚虹亭”。站在倚虹亭旁，向西眺望，極遠(yuǎn)處又有一亭，亭內(nèi)也有一圓拱門，這就是西花園的“別有洞天”園門。而在亭臺(tái)樓閣旁，小橋流水之上，古樹(shù)花木之間，屹立著一座寶塔，那就是園外遠(yuǎn)處的北寺塔，給人以一種“庭院深深深幾許”的感覺(jué)。這一借景的手法，運(yùn)用得很成功，園主確實(shí)費(fèi)盡了心機(jī)。因?yàn)橹胁炕▓@東西長(zhǎng)，南北窄，有一種壓抑感，浴室園主利用低洼的地勢(shì)鑿池疊山。用假山遮住兩邊的圍墻，而池面上留出了大量的空間，使人感到開(kāi)闊而深遠(yuǎn)。中部花園里的建筑物，大小不同，形狀各異，高低錯(cuò)落，疏密有致。
中園是拙政園的主體部分和精華所在。總體布局以水池為中心，分布著高低錯(cuò)落的建筑物，具有江南水鄉(xiāng)特色?，F(xiàn)在各位請(qǐng)看池島假山，池岸曲折，水繞山轉(zhuǎn)。假山上的“悟竹幽居”，山頂?shù)摹按ぁ焙汀把┫阍莆低ぁ秉c(diǎn)綴其上。從東面看，一山高過(guò)一山;從南面看，一山連接一山;從西面看，一山壓倒眾山，具有中國(guó)山水畫(huà)的傳統(tǒng)構(gòu)圖特色，也體現(xiàn)了“橫看成嶺側(cè)成峰，遠(yuǎn)近高低各不同”的意境。
蘇州拙政園作文導(dǎo)游詞350字篇二
hello, everyone! my name is suzhou hangzhou, and i'm the guide of yourhumble administrator's garden.
now i'll take you to visit the humble administrator's garden, a worldcultural heritage, which is a private garden of a large family. it is the onlyscenic spot in china with four titles at the same time: national key culturalrelics protection units, national 5a scenic spots, national special touristspots, and unesco listed as world cultural heritage. why does a former privategarden have such honor? let's go to the end?
above the main door of this high fair faced brick wall door, there arethree words "humble administrator's garden". wang xianchen, the founder of thehumble administrator's garden, was an executive of the ming dynasty. he returnedto his hometown due to official frustration and started to build the humbleadministrator's garden on the basis of the site of a temple. in order to makethe garden more cultural, he invited wen zhengming, a representative of thewumen school of painting, as the chief designer, to participate in the blueprintdesign, and left the painting of the humble administrator's garden. wenzhengming, one of the four great talents in the south of the yangtze river,outlined the overall layout of the whole garden with the aesthetic taste of apainter. after more than ten years, he finally completed the construction ofthis later famous masterpiece in the south of the yangtze river. wen zhengming'sdesign, based on water, is a natural garden style, which strongly shows theaesthetic mood of chinese landscape painting. so far, taking the real naturallandscape as the blueprint and integrating the artistic representation ofchinese painting has become a major purpose of suzhou classical garden garden is named zhuozheng garden, which is borrowed from the western jindynasty literati pan yue's "leisurely residence fu" in which "build a room,plant trees, be at ease irrigate the garden with vegetables for daily meals itis also a humble person who is in charge of politics. it is implied that hetakes watering the garden and planting vegetables as his "political" after the garden was built, wang xianchen died, and his son lost the wholegarden to xu in a gamble. over the past 500 years, the humble administrator'sgarden has changed its owner many times. in history, it was spanided into twoparts and three parts, and then combined into one. the name of the garden variedfrom private garden to government garden, or scattered into folk houses. it wasnot until the 1950s that the garden was completely integrated and its originalname was restored. among the numerous historical figures in the humbleadministrator's garden, wen zhengming, cao xueqin and li xiucheng areparticularly attractive. we will introduce them one by one when we visit thescenic spots.
lanxue hall is the main hall in the east of china. the name of the hallcomes from li bai's poem "independent between heaven and earth, the breezesprinkles lanxue". the hall has three rooms facing south, with a secludedenvironment. there is a screen door in the middle of the hall. to the south ofthe screen door, we will take a look at the painting "panorama of humbleadministrator's garden", which is made with suzhou traditional lacquer carvingtechnology.
zhuozheng garden was built in zhengde period of ming dynasty in the 15thcentury. it is the largest existing classical garden in suzhou, covering an areaof 78 mu. it is mainly built by water. most of the buildings are built near thewater. the water corridor in the mountains is undulating and smooth. this grandview of the classical luxury garden, with its layout of the mountain island,bamboo dock, songgang, qushui of interest, is known as the "world gardenmodel.". the whole garden is spanided into four parts: east, middle, west andresidence. residence is a typical suzhou residence. most of the existingbuildings in the humble administrator's garden were rebuilt in 1850 when thehumble administrator's garden became the garden of zhongwangfu in the taipingheavenly kingdom.
the eastern part covers an area of about 31 mu. it was originally called"guitianyuanju" because in 1631 ad, the eastern part of the garden was namedafter wang xinyi, the shilang. it presents an idyllic landscape, with buildingsdotted among the riverbanks and trees, and streams passing at the foot of therockery, creating an open space full of wild mountains and forests.
the central part covers an area of about 18 mu, with luxuriant flowers andtrees, beautiful scenery and elegant pavilions. it is the essence of humbleadministrator's garden. the overall layout takes water as the center, and allkinds of buildings are placed near the water. the modeling is simple andelegant. the pavilions and pavilions are built near the water, and somepavilions and pavilions are straight out of the water, which has thecharacteristics of jiangnan water town. the rockery is surrounded by pools andwater, and the top of the rockery is like an island in a lake. the whole spaceis full of natural charm, and the atmosphere is quiet and secluded. it shows thegardening pattern of the ming dynasty in the 16th century, and basicallymaintains the artistic style of the ming dynasty garden designer wen zhengming -thick, simple, and sparse.
in the west, it used to be a "buyuan" with an area of about 12.5 mu. itswater surface is circuitous and its layout is compact. pavilions are built nearmountains and rivers. because of the large-scale reconstruction, the style ofcrafty and artificial art formed after the qianlong reign gained the upper hand,but the water stone part is still close to the central scenic area, and theundulating, tortuous and undulating water corridors and streams are excellentworks of suzhou garden art. the present pattern maintains the style and featuresof the late qing dynasty's rich businessman zhang luqian.
"zhuiyun peak" is a famous peak left over from ming dynasty. it was stackedby chen siyun, a master of dieshan. it stands on the rockery behind the lan xuetang, just like a cloud landing on the earth, dotted with the landscape, butalso like a barrier, hiding the garden and infinite painting behind. this"straight to the point" gardening method of "zhuoyun peak" blocking the sight ofthe guests is called "barrier scenery" and plays a fascinating role.
as soon as we enter the garden, what we see is not a panoramic pond, butthis huge lake stone. it's just like the girl who wants to meet and be ashamed,"still holding the pipa and half covering her face". here is the unique charm oforiental women, leaving a mystery and a prospect for people to explore.
according to wang xinyi's guiyuantianjuji, there is a pool in front oflanxuetang, "there are peaks in the south of the pool, and the trees aredecorated with clouds, which is called zhuiyun peak. the two peaks on the leftside of the pool stand side by side, like palms and sails, which is calledlianbi peak. " what we see now are zhuiyun peak and lianbi peak. the two lakestones stand at the intersection like patrons, just like the situation at thegate of daguan garden described in the book. they are like beasts and strange stone on the right side is distributed like a vine. it has ears andnose. it has both shape and spirit. the two peaks are the works of chen siyun, afamous stone folding artist in the late ming dynasty. the lake stones used areexquisite and delicate, taking zhao songxue's landscape paintings in the lateyuan dynasty as the model. on the summer night of 1943, zhuiyun peak suddenlycollapsed. later, under the guidance of wang xingbo, a landscape expert, thisexquisite peak was built again. today, the peak is mottled with moss and coveredwith vines.
蘇州拙政園作文導(dǎo)游詞350字篇三
humble administrator's garden. humble administrator's garden was built inming dynasty, and wang xianchen was the first owner of the garden. in jiajingand zhengde years, he lived as an official censor. in his later years, he wasnot satisfied with his official career. he returned from office and bought landto build a garden. the main scenic spots in the park are: lanxue hall, furongpavilion, shuxiang pavilion, guangyan pavilion, yuanxiang hall, xiaocanglangpavilion, liuting pavilion, fucui pavilion, etc.
the whole garden is spanided into four parts: east, middle, west andresidence. the residence is a typical suzhou residence, which is now arranged asa garden museum exhibition hall. the eastern part is bright and cheerful, withpinggang yuanshan, songlin lawn and zhuwu qushui as the main parts. the mainscenic spots are: lanxue hall, zhuoyun peak, furong pavilion, tianquan pavilion,shuxiang pavilion, etc. the central part is the essence of humbleadministrator's garden. the area of the pool is 1/3. water is the main form. thepool is wide and luxuriant. the scenery is natural. there are differentbuildings with different shapes and sizes. the main attractions are: yuanxianghall, xiangzhou, hefeng pavilion, jianshanlou, xiaofeihong, pipa garden, main building in the west is the 36 yuanyang hall, which is close to theside of the residence. the pool is in the shape of a curved ruler. it ischaracterized by the separation of the platform and the hall, the undulatingcorridor, the reflection of the water wave, the unique taste, and the gorgeousand exquisite decoration. the main scenic spots are: 36 yuanyang hall, invertedphoto studio, who to sit with, water gallery, etc.
introduction to dongyuan
lanxue hall: it is the main hall in the east. the name of the hall comesfrom li bai's poem "independent between heaven and earth, the breeze sprinkleslanxue". it was first built in the eighth year of chongzhen (1635) of the mingdynasty. according to the records of the garden owner wang xinyi's"guiyuantianju", lanxue hall is a five ying thatched cottage, "the east and westosmanthus trees are screens, and then there are mountains like a sheet, withplum blossoms growing vertically and horizontally. there is bamboo outside theplum. bamboo is near the monk's house. the sound of buddhism comes from bambooat dusk. "the environment is secluded. in front of the hall, the two white pinesare vigorous and clumsy, the bamboo on the wall is green, the lake stone isexquisite, the green grass is in the path, and the east and west courtyard wallsare connected. the hall has three rooms facing south. the plaque of "lan xuetang" is high, and the long window is on the ground. there is a screen door inthe middle of the hall. the south side of the screen door is a lacquer carvingpanorama of humble administrator's garden, and the north side of the screen dooris a picture of green bamboo. all of them adopt the traditional suzhou lacquercarving process. the two sides of the screen door are carved with figures andlandscapes on the partition skirts.
zhuiyun peak: in the north of lanxuetang, the peak is towering in the shadeof green trees and bamboos. in the north of shanxi, two peaks stand side byside, named "lianbi". jieyun peak and lianbi peak are the scenic spots ofguiyuantianju. according to wang xinyi's guiyuantianjuji, there is a pool infront of lanxuetang, "there are peaks in the south of the pool, and the treesare decorated with clouds, which is called zhuiyun peak. the two peaks on theleft side of the pool stand side by side, like palms and sails, which is calledlianbi peak. " the two peaks are the works of chen siyun, a famous stone foldingartist in the late ming dynasty. the lake stones used are exquisite anddelicate, taking zhao songxue's landscape paintings in the late yuan dynasty asthe model. from bottom to top, the shape of jieyun peak is gradually larger, andits top is as big as a cloud, standing upright and independent, without the summer night of 1943, zhuiyun peak suddenly collapsed. later, under theguidance of wang xingbo, a landscape expert, this exquisite peak was builtagain. today, the peak is mottled with moss and covered with vines.
furong pavilion: the pavilion is a very beautiful architectural form inancient china. it is made up of the surrounding scenery and its form isflexible. the roof of furong pavilion is the top of the mountain. the fourcorners fly up. half of the pavilion is built on the shore, and the other halfis extended to the water. the sky stands on the water, standing at the edge ofthe water. this pavilion faces a wide pool with clear water, which is a goodplace to enjoy lotus in summer. walking along the hibiscus pavilion and lookingaround on the fence, you can see that the pool is full of green, pink and blackwater, elegant and elegant, like a graceful fairy looking forward to the bluewaves. the breeze rises suddenly, setting off a green wave, sending bursts oflotus fragrance enjoy the beauty, elegance and noble character of lotus.
tianquan pavilion: it is an octagonal pavilion with double eaves. the eavesare high and the outside is a cloister. it is solemn and simple. there is a sillbetween the pillars for sitting and enjoying. surrounded by lawns, flowers andtrees. the small slope of pinggang in the north of the pavilion is lush withtrees. the pavilion is named "tianquan" because there is a well under it. thewell does not dry up all the year round and the water quality is sweet, so it iscalled "tianquan". according to the records of qianlong changzhou county annals,during the dade period of the yuan dynasty, there was a temple called dahongtemple. after another hundred years, monk yuze lived here and built a"dongzhai". there is a well before zhai, which is called "tianquan". suzhou is aland of water, with many rivers, bridges and wells, but few of them are recordedin history. as soon as wang xin built "guiyuantianju", he kept the well, whichalso added some pastoral scenery to the garden.
shuxiang pavilion: shuxiang refers to the fragrance of rice. in the past,there were farmland outside the walls. during the harvest season, the autumnwind sent gusts of rice fragrance, which made people intoxicated. hence the nameof the pavilion. shuxiang hall is the main building in the east, facing waterand mountains. it is a single eaves structure. the room is spacious and are 48 pieces of boxwood carvings on the long window skirt. according tothe experts' research, one is the romance of the west chamber, and the other isjinyu ruyi. among them, there are scenes such as "zhang sheng jumps over thewall to meet mandarin ducks", "copy red" and "long pavilion to see off" in theromance of the western chamber, which are exquisitely carved, rich and sunset, a touch of afterglow fell on the long window of shuxiang the exquisite wood carving of skirt board, the shuxiang pavilion isdecorated with simple elegance and unique taste.
hanqing pavilion: garden architecture, with pavilion changes. pavilion is akind of hut with only roof but no wall. it is exquisite and light. it isgenerally composed of roof, column body and platform base. in the garden, youcan point and view the scenery, and also provide people with rest, cool andshelter from the rain. the humble administrator's garden has many pavilions anddifferent forms. hanqing pavilion is located in a corner with narrow r, the gardener built a combined half pavilion with a tall white wall asthe base, one main pavilion and two subordinate pavilions. the flat seat of themain pavilion is above the water surface, just like a waterside pavilion. theauxiliary pavilions on both sides are slightly backward and spread to the leftand right, just like a corridor. the main pavilion has two berms and theauxiliary pavilion has one berm. the whole pavilion is just like a phoenixspreading its wings, adding momentum to the originally flat and monotonous wall. reclining on the edge of the pavilion, the beauty sits on the edge of thepavilion. in the sky, clouds and water, the koi roam and the lotus swings.
introduction to zhongyuan
yihong pavilion: sitting on the straight corridor to the west of thecomplex corridor, facing the east and the west, the corridor meanders behind,and the water and trees are broad in front. it is an excellent viewing pointafter entering the central garden. on the right side of the pavilion is wu zhu'ssecluded residence. in front of the pavilion is a small blue stone bridge, namedyihong bridge. the fence and stone quality reflect the style of the mingdynasty, which seems to be a relic of the humble administrator's garden of theming dynasty. standing in the pavilion, the open pool water in the middle andthe curved bridge spanide the water. in midsummer, the lotus in the pool iscovered with red clothes, which is full of jiangnan style. deep in the shade, abeautiful and exquisite pagoda can be seen. this is a way of borrowing sceneryto borrow the beisi pagoda, which is more than 1000 meters away from the is a good example of "yuanjie" in "jiejing".
wuzhu seclusion: wuzhu seclusion with unique architectural style andingenious design is a square pavilion, which is the main view in the east of thecentral pool. the pavilion is surrounded by corridors, red pillars and whitewalls, cornices and raised corners, backed by long corridors, facing the widepool, with wutong shading and bamboo trees. the beauty of the pavilion is thatthere are four round openings on the white walls around the pavilion. the holesare round and the holes cover the holes. the four round openings are not onlytransparent, daylighting and elegant, but also form four beautiful frame scenesof flowers and windows, small bridges and flowing water, beautiful scenery oflakes and mountains, and the charm of bamboo. the plaque of "wuzhu secludedresidence" is in the style of wen zhengming. the couplet is written by zhaozhiqian, a famous calligrapher in the late qing dynasty. the first couplet usestwo loan words to point out the intimate relationship between human beings andthe wind, moon and nature. the second couplet uses movement, emptiness andreality to set off and contrast each other.
snow fragrance cloud pavilion: snow fragrance, refers to plum refers to the flourishing of flowers and trees. this pavilion is suitablefor appreciating plum trees in early spring. plum trees are planted beside thepavilion and the fragrance floats. surrounded by green bamboos and lush trees,it is quite interesting to walk around the river. the pavilion is rectangular,on the earth mountain in the central and western part of the pool. itsappearance is simple and light. the plaque "between mountain flowers and wildbirds" in the pavilion is written by qian juntao, a contemporary calligrapherand painter.
jiashiting: many loquat trees are planted in the garden. loquat trees havebuds in autumn, blossom in winter, bear fruit in spring and mature in summer. itcontains the atmosphere of four seasons and forms a golden pill. jiashi pavilionis not only a praise of jiangnan famous garden, but also a celebration ofharvest. there is a square window opening in the middle of the pavilion wall. onone side of the window opening is the taihu stone. beside the stone, there arewintersweet and banana in summer, forming a natural three-dimensional h the entrance of the loquat garden, jiashi pavilion and xuexiang yunweipavilion form a group of scenery, which is one of the artistic techniques ofgardening.
listen to yuxuan
in the east of the harvest pavilion, it is connected with the curvedcorridor of the surrounding buildings. in front of the pavilion, there is a poolof clear water with lotus; beside the pool, there are plantains and greenbamboos; behind the pavilion, there are also plantains. in the five dynasties,li zhong, a poet of the southern tang dynasty, wrote a poem: "listen to the raincoming into autumn bamboo, leave monks to cover old chess"; yang wanli, a poetof the song dynasty, wrote a poem "autumn rain sigh", which said: "banana leavesare half yellow, lotus leaves are green, two autumn rain families have onefamily voice"; zhou qianjuan, a modern suzhou horticulturist, wrote a poem"banana leaves are drizzling, but the sound of broken jade is still heard in hisdream." there are banana, green bamboo and lotus leaves here. no matter inspring, summer, autumn and winter, as long as it's rainy night, because the rainfalls on different plants, and people listen to the rain have differentattitudes, they can hear the sound of rain with different tastes. it's wonderfuland has a unique charm.
haitangchunwu: it is a small independent courtyard separated by the flowerwall on the east side of linglong hall. the book style brick forehead withunique shape is embedded in the south wall of the courtyard. there are severalbegonias in the hospital. in the early spring, the flowers are as beautiful asjasper in a small family. they are beautiful and beautiful. the literatieulogized it. the courtyard floor is inlaid with green, red and white pebbles toform begonia pattern. the decorative patterns of tea table in the hospital areall begonia patterns. there are scenic spots everywhere. although the courtyardis small and quiet, it is an ideal place for reading and rest.
yuanxiang hall: yuanxiang hall is a four side hall, which is the mainbuilding in the middle of humble administrator's garden. it was built inqianlong period of qing dynasty on the site of ruoshu hall in zhengde of mingdynasty, and the base of bluestone house is the original thing at that time. itis built on the surface of water, with a single eaves resting on the top of themountain and three rooms wide. the north platform of the hall is spacious andclear. the lotus pond is wide, with red clothes and green cover, and pleasantfragrance. the name of the hall is based on the famous sentence of "xiang yuanyi qing" in zhou dunyi's "ai lian shuo". lotus flowers are planted all over thewater, so it gets its name. in summer, the lotus leaf field in the pool, thelotus wind blowing on the face, and the fragrance sending far away, is a goodplace to appreciate the lotus. the garden owner borrows the flower from themetaphor, has expressed the garden owner noble sentiment. the hall is decoratedwith transparent and exquisite glass floor long windows with neatspecifications. due to the emptiness of the long windows, there are variousinteresting scenery around, such as mountain light, water and shadow. you canhave a panoramic view, just like watching mountains and rivers. the interiorfurnishings are elegant and exquisite.
xiaofeihong: suzhou is a water town, humble administrator's garden is awater garden, where there is water, there is bridge. in the humbleadministrator's garden, there are stone slab bridges, stone arch bridges, is the only corridor bridge in suzhou gardens. it is named after the poem"flying rainbow overlooking the qin river, misty and light string" written bybao zhao in the song dynasty. the scarlet bridge hurdles are reflected in thewater, and the water is sparkling, just like a rainbow, so it is named. therainbow is a colorful bridge across the earth after the rain. the ancients usedthe rainbow to describe the bridge with a wonderful intention. it is not only achannel connecting water and land, but also a unique landscape centered on thebridge. xiaofeihong bridge is a three span stone beam, slightly arched, in theshape of eight. both sides of the bridge deck are equipped with ten thousandcharacter guardrails, three rooms and eight columns, covering the corridorhouse. the eaves are decorated with upside down lintels. the two ends of thebridge are connected with the curved corridor, which is a beautiful corridorbridge.
xiaocanglang: xiaocanglang takes the name of "canglang pavilion" of sushunqin in the northern song dynasty as the name of the pavilion, implyingseclusion. the small pavilion is three rooms wide, with south windows and northsills. it faces the water on both sides. its shape is very unique. it looks likea house but not a house, like a boat but not a boat, like a bridge but not abridge. it is a water pavilion on the water. across the pool, the water pavilionspanides the water surface again, making the end of zhongyuan shuiwei seeminglycontinuous, with superb artistic techniques. surrounded by pavilions andcorridors, it forms an open quiet water courtyard. once upon a time, there weremany families of literati and officials in the ancient city of suzhou. no matterthey were chinese houses or ordinary houses, they all paid special attention tothe decoration of small space. this small space was the courtyard, and the watercourtyard was the unique small wave. on the one hand, it reflected the customsof the water town in the south of the yangtze river. on the other hand, becauseof the water landscape, the courtyard built a special cool environment byborrowing the scenery inside and outside.
songfengshui pavilion: pines, bamboos and plums are known as the "threefriends of the winter" in traditional chinese culture. in the literati freehandgarden, they are especially fond of planting such "bide" plants to express themaster's thoughts and feelings. the pine tree does not wither in the cold and isevergreen all the year round. the ancients described it as a person with noblemoral sentiment. the vigorous and clumsy posture of pine is often depicted inthe picture, and it is one of the main tree species in chinese ngshui pavilion, also known as "listening to songfengchu", is a place tosee songtingtao. the water pavilion has a sharp square roof, and the space isclosed. it is accessed by a small gate in the corridor. the other three sidesadopt the structure of half wall and half window. the eaves of the roof are verylarge, and the cornices are especially high, showing the elegant and lightstyle. the whole building is not in the regular direction of due south and duenorth, but slants over 45 degrees, and is suspended on the water, which canavoid the sun and ventilate. it is most suitable for viewing in summer. thereare several black pines planted on the side of the pavilion. the wind blows, thepine branches move far away, the pine waves sound, the color and sound are allready. it is a unique landscape.
xiangzhou: xiangzhou is a "boat" type structure with two storeys of whole body is elegant and free. its posture is reflected in the water,making it more elegant and elegant. xiangzhou reposes the ideal and sentiment ofliterati. xiangzhou uses the allusion of "fangzhou" in qu yuan's works. there isa sentence in the songs of chu that "if you pick fangzhou, you will leave yourdaughter.". in ancient times, vanilla was often used as a metaphor for a nobleman. here, lotus landscape is used as a metaphor for vanilla, which is also veryappropriate. among the numerous stone boats in chinese classical gardens, thehumble administrator's garden xiangzhou is probably the most beautiful one. thebow of the boat is a platform, the front cabin is a pavilion, the middle cabinis a pavilion, and the stern is a pavilion. the lines of the pavilion are gentleand undulating, and the scale is appropriate. it reminds people of the warmmountains and soft waters and the picturesque boats in suzhou, hangzhou,yangzhou in ancient times. xiangzhou is located at the edge of the water, justat the intersection of the east and west water flow and the north-south is surrounded by water on three sides and on the other side by the bank. thespringboard composed of three stone bars boarded the "boat" and stood in the bowof the boat, rippling and bright all around. the garden is beautiful andrefreshing. the sun is scorching, but the wind blows here, and it's cool. on thebow of the xiangzhou ship, there was a inscription written by wen zhengming,which was specially inscribed and postscript by later generations. xiangzhou, adry boat, is elegant, exquisite and fascinating, which makes people feel apursuit of noble personality.
lotus wind pavilion: the pavilion is named for lotus. it is located on asmall island in the middle of the garden. it is surrounded by water. the lotuspavilion is planted in the lake. willow branches are dancing on the lake pavilion has a single eaves and six corners. it is transparent on all are holding column couplets in the pavilion: "lotus on all sides, willowon three sides, half pool, autumn water and one fangshan." it's very appropriatehere. in particular, the word "wall" in lianzhong is well used. the pavilion isthe most open building. there is no wall between the columns, so the sight isnot blocked. it feels transparent and bright. although there is no wall, thewillows on the three sides of the river bank are luxuriant and surrounded byhibiscus. isn't it a green fragrant and soft wall? the moving exaggeration andrich imagination make the pavilion on this island more beautiful it lookscolorful and charming. the wind blows on the wall, the green waves roll, thefragrance overflows, and the color, fragrance and shape are excellent. lightwillows in spring, bright lotus in summer, clear water in autumn, quietmountains in winter, and lotus wind. pavilions are not only suitable for summerand summer, but also for all seasons. if you look down at the pavilion from aheight, you can see that the pavilion is out of the water, the cornice isprotruding, the red pillars are tall and straight, and the base is jade is clearly a bright pearl in the arms of lotus in the pond.
蘇州拙政園作文導(dǎo)游詞350字篇四
歡迎大家來(lái)拙政園參觀。
拙政園和我市的留園、北京的頤和園、承德的避暑山莊合稱為我國(guó)的“四大名園”。后兩個(gè)屬北方皇家園林，規(guī)模宏大，裝飾繁復(fù)，金碧輝煌，充滿滿清的審美趣味;而我們蘇州的兩個(gè)花園是典型的南方文人寫意園，宅園緊湊小巧，素樸精雅，是文人現(xiàn)實(shí)生活中的桃花源。
拙政園是中國(guó)古代造園藝術(shù)的集大成者。風(fēng)格疏朗，創(chuàng)造的山水親和喜人，蘊(yùn)含著豐富多彩的人生哲學(xué)，是中國(guó)最典型的明代園林作品。同時(shí)，在中部花園山水處理上的偉大成就，“一池三島”的格局成為了后世園林創(chuàng)作的范本。被世人譽(yù)為“中國(guó)園林之母”。
拙政園也是蘇州最大的私家花園，占地5公頃。它的創(chuàng)意構(gòu)思由當(dāng)時(shí)最著名的畫(huà)家之一、“明四家”中的文征明先生執(zhí)筆而成。拙政園始建于1520xx年，從畫(huà)到園，前后歷時(shí)20xx年。歷史上幾經(jīng)興廢，園主幾經(jīng)變更，其中包括太平天國(guó)忠王李秀成。相傳中國(guó)最著名的古典小說(shuō)《紅樓夢(mèng)》的作者曹雪芹先生曾經(jīng)住在這里，所以有關(guān)大觀園的許多描寫都與拙政園的園景相吻合。
第一任園主王獻(xiàn)臣是明朝的監(jiān)察使，相當(dāng)于現(xiàn)在的檢察官，監(jiān)督地方官員的吏政情況，職位顯赫;官場(chǎng)失意后還鄉(xiāng)，在蘇州城內(nèi)東北角置地建屋，就是現(xiàn)在的“拙政園”。名字源于晉代潘岳的文章，“灌園鬻蔬”，“此亦拙者之為政也”。自嘲地說(shuō)，自己才學(xué)淺薄不能得到皇帝的賞識(shí)而行治國(guó)平天下的壯志，只配回家作一農(nóng)夫，從此不理朝政，享受隱退林泉的雅興。就象這座“蘭雪堂”的名字，取自詩(shī)句“清風(fēng)灑蘭雪”，表達(dá)主人潔白自持、瀟灑大方的志趣。
在這幅漆雕屏風(fēng)上我們可以清楚地看到拙政園由兩條游廊分成三部分：東部以田園風(fēng)光為主，明代王心一買下后取名為“歸田園居”。曾經(jīng)遭到嚴(yán)重的破壞，保留的建筑很少。如今在這一部分我們可以看到很多高大的珍貴樹(shù)種和典型的古典建筑。中部是全園的精華所在，又稱“復(fù)園”，完好地保留了明代簡(jiǎn)雅而鋪張、敦厚而輕靈的風(fēng)格，在布局設(shè)計(jì)、建筑造型、書(shū)畫(huà)雕塑、花木園藝上有很高的藝術(shù)造詣。西部是清代主人張履謙重修的，稱“補(bǔ)園”，色彩上有了藍(lán)色的裝點(diǎn)，風(fēng)格上帶有明顯的清代時(shí)尚特征。
同時(shí)，我們從這幅漆雕畫(huà)上可以看到，園中絕大部分的建筑都與水相鄰，面對(duì)水面或者挑起凌空于水面之上，它們的名字也都得靈感于流動(dòng)著連接著園中各處的水，把江南水鄉(xiāng)特有的風(fēng)致描摹得精彩絕倫。特別是水中遍植的荷花，或擁翠堆綠，或紅白點(diǎn)綴，或枯枝待雨，古人賦予它的“出污泥而不染”的高尚情操和園主青睞于它的“香遠(yuǎn)益清”，這些催發(fā)詩(shī)人清愁的物事在這里都因園景需要各有表現(xiàn)。如今，拙政園一年一度的“荷花節(jié)”，不但集及了百余種荷花品種，還精心使千年古蓮子發(fā)芽，并培育出碗蓮等珍貴的觀賞品種，贏得了游客嘖嘖稱贊。
【出蘭雪堂西門，在綴云峰前】
一來(lái)到花園里，園主給我們觀賞的竟然是一塊巨大的湖石，遮擋了園中秀麗的景色，反而更激起我們游園的興趣。進(jìn)門見(jiàn)山這種處理方法，在造園手法上，稱作“抑景”。既是屏障，相當(dāng)于園門入口處屏風(fēng)的功能;又因自身的美感淡化了它本身的實(shí)用功能而成為一景。就好象“猶抱琵琶半遮面”一樣，遮遮擋擋的，卻使欣賞者更想見(jiàn)識(shí)“廬山真面目”了。含蓄而委婉的表達(dá)藝術(shù)是蘊(yùn)藉在我們東方人血液中的，也正是所謂的“東方魅力”吧。在拙政園的任何一點(diǎn)看花園，你都看不到它的全部，以圍墻、游廊、樹(shù)木等把整個(gè)花園分割并連接成一個(gè)個(gè)相對(duì)獨(dú)立的部分，園中有園，園外還有園，別有洞天。一個(gè)個(gè)障景，象眼前的“綴云峰”，閉合、展開(kāi)的過(guò)程譜寫了游園的節(jié)奏之美。而園中道路曲折起伏，連石橋都是一波三折，使我們觀園的視角時(shí)刻發(fā)生變化，園林景色在光影變化中精彩紛呈，達(dá)到“移步換景”的審美感覺(jué)，如同展開(kāi)一幅描繪主人心跡的山水古畫(huà)。在這點(diǎn)上，拙政園由畫(huà)而園、游園成畫(huà)的特色是中國(guó)畫(huà)和蘇州古典園林相互結(jié)合、相互影響最好的例證了。
中西方文化截然不同，以凡爾賽宮為代表的西方花園是古典主義時(shí)期笛卡兒理論的實(shí)踐。它的開(kāi)闊與部分功能和我們先秦的宮苑有相似之處。走出宮殿，整個(gè)花園一覽無(wú)遺，可以一直望到盡頭的阿波羅池塘，好象和西方人的直率不謀而合。在中軸線大道兩旁，苗圃以各種幾何形圖案修剪排列著，工整有序，同時(shí)樹(shù)木也修成錐形、柱形或圓形，用笛卡兒幾何原理來(lái)塑造自然，來(lái)迎合當(dāng)時(shí)朝廷講究禮儀、尋求秩序的潮流。它產(chǎn)生的背景是路易十四希望遷都凡爾賽，重造王室的威望，所以成為園中最重要的“阿波羅”。也許因?yàn)槠渲币彩チ撕芏唷傲祷鳌钡臉?lè)趣。
我們的拙政園和法國(guó)的凡爾賽花園都是一種文化的沉淀和時(shí)代的產(chǎn)物。盡管在形式上兩者千差萬(wàn)別，但都是把人類的意志強(qiáng)加于大自然，按主人的趣味、文化加以修飾，只不過(guò)我們的花園更自然化，已經(jīng)超越了第一次的抽象，把抽象再賦予具體的自然形式，進(jìn)入返樸歸真的新境界。同時(shí)我們還在建筑上創(chuàng)造了千變?nèi)f化的建筑形式，優(yōu)美的曲線與自然的曲折相映襯，使人類的活動(dòng)一直在大自然的懷抱中。整飭山水而使野趣天成，這一理念同時(shí)極大地影響了十八世紀(jì)的歐洲造園事業(yè)，在德國(guó)、法國(guó)、英國(guó)、都出現(xiàn)了仿蘇州式的花園的出現(xiàn)。
熟悉《紅樓夢(mèng)》的游客注意往左看，兩座湖石站在路口象守護(hù)神一樣，正好和書(shū)中描述的大觀園門口的情況一致，一象猛獸，一象鬼怪。右面這鬼怪石，藤蘿似散發(fā)，有耳有鼻，形神兼?zhèn)?。曹雪芹先生的祖父在蘇州織造府為官多年，小時(shí)候居住園中，耳濡目染，把拙政園的勝景嫁接到他心目中的大觀園也在情在理，秫香館也成了稻香村，見(jiàn)山樓成了藕香榭等等，為我們的拙政園也添色不少。
蘇州拙政園作文導(dǎo)游詞350字篇五
各位游客：現(xiàn)在我們位于的是蘇州古城東北面最大的名園“拙政園”。它與北京頤和園、承德避暑山莊、蘇州留園合稱為中國(guó)“四大名園”，被譽(yù)為“天下園林之母”。有人說(shuō)，拙政園酷似我國(guó)古代文學(xué)巨著《紅樓夢(mèng)》中所描述的大觀園，這話究竟有沒(méi)有道理?還是請(qǐng)大家跟我走進(jìn)拙政園，去探尋一下大觀園的影子吧!
現(xiàn)在我們看到高高的磚砌墻門的正上方，有磚雕貼金的門額“拙政園”三個(gè)字。拙政園始建于明代正德四年(1520__年)。明代御史王獻(xiàn)臣因官場(chǎng)失意而還鄉(xiāng)，以大弘寺址拓建為園，借西晉潘岳《閑居賦》“拙者之為政”句意，自我解嘲，取名為“拙政園”。王獻(xiàn)臣死后，他的兒子以拙政園為賭注，一夜之間輸?shù)袅恕Ｗ源俗菊@400余年來(lái)，屢易其主，歷經(jīng)滄桑，幾度興衰。
拙政園與蘇州其他古典園林一樣，是典型的宅園合一，有宅有園，前宅有園的格局。拙政園的花園分東園、中園、西園三部分，整個(gè)造園以山水并重，以水池為中心，水面占全園的五分之三，亭榭樓閣皆臨水而立，倒映水中，相互映襯。
各位游客：現(xiàn)在從園門進(jìn)去便是東花園。入園后，首先映入眼簾的是東花園的主廳“蘭雪堂”。“蘭雪”二字出自李白“春風(fēng)灑蘭雪”之句，有清香高潔、超凡脫俗之意。廳堂面寬三間，中間屏門上有一幅漆雕畫(huà)，是拙政園的全景圖。從圖上看，拙政園氛圍三個(gè)部分：東部，曾取名為“歸園田居”，以田園風(fēng)光為主;中部，稱為“復(fù)園”，以池島假山取勝，也是拙政園的精華所在;西部，稱為“補(bǔ)園”，以清代建筑為主。整個(gè)院子沒(méi)有明顯的中軸線，也不對(duì)稱，但錯(cuò)落有致，疏密得體，近乎自然，是蘇州園林中布局最為精巧的一座。
走出蘭雪堂，迎面有一組太湖石假山。這塊名為“綴云峰”的假山高聳在綠樹(shù)竹蔭中，與西側(cè)涼快形狀怪異的石峰并立，叫做“聯(lián)壁”。水池邊山峰外形似船，俗名“翻轉(zhuǎn)劃龍船”。走到這里，似乎有似曾相識(shí)的感覺(jué)，大家可能都會(huì)聯(lián)想到《紅樓夢(mèng)》中大觀園進(jìn)門處的假山，同這座假山極為相似。
蘭雪堂的東北面，臨水而筑的這座卷棚歇山頂?shù)慕ㄖ?，就是“芙蓉榭”。此榭為東花園夏日賞荷的絕佳之處。面對(duì)荷花池，背倚高墻，一邊開(kāi)闊，一邊封閉，給人一種寧?kù)o的氣氛。加拿大溫哥華“逸園”中的水榭，就是參照此榭設(shè)計(jì)的。
芙蓉榭以北是一片紫薇草坪，中間聳立的那座重檐攢尖八角亭，名為“天泉閣”。閣中有“天泉井”，相傳此井為元代大弘寺東齋的遺跡。夏日可在此閣欣賞紫薇花。這座建筑物，從外面看似乎是兩層，在里面看卻只有一層。欣賞蘇州園林里的建筑物，高的樓閣要仰視。如果您站在“天泉閣”的戧角下，凝視飄動(dòng)的浮云，您似乎感到樓閣正在藍(lán)天中翱翔。這就是蘇州園林建筑物上大都建有戧角的奧秘。這些戧角，除了有利于采光和通風(fēng)外，主要是增加了動(dòng)感和美感，成了蘇州建筑的地方特色之一。
那座外觀輕快明朗，體量較大的四面廳，稱“秫香館”。顧名思義，就是欣賞稻麥飄香的地方?！皹强伤挠^，每當(dāng)夏秋之交，家田種秫，皆在觀望中。”現(xiàn)在所見(jiàn)到的“秫香館”，其主體建筑是60年代重修拙政園時(shí)從東山搬遷過(guò)來(lái)的，體量偏大，與原景略有不同。
秫香館西南，隔溪有一土山，上有長(zhǎng)方亭，名“放眼亭”，取唐代白居易“放眼看青山”詩(shī)意，亦曾叫“補(bǔ)拙亭”。在亭中居高臨下放眼四望，東園景色盡收眼底。
東中花園以這條復(fù)廊分隔，復(fù)廊的墻壁上開(kāi)有25個(gè)漏窗，不同的團(tuán)被水中波紋反射疊印，隨著步移花窗的變換，園內(nèi)景色也不斷地變化。穿過(guò)復(fù)廊的黑漆大門，便到了中部花園?？催@座半亭倚墻而作，亭中有一圓拱門，三面凌空，長(zhǎng)廊似虹，故名“倚虹亭”。站在倚虹亭旁，向西眺望，極遠(yuǎn)處又有一亭，亭內(nèi)也有一圓拱門，這就是西花園的“別有洞天”園門。而在亭臺(tái)樓閣旁，小橋流水之上，古樹(shù)花木之間，屹立著一座寶塔，那就是園外遠(yuǎn)處的北寺塔，給人以一種“庭院深深深幾許”的感覺(jué)。這一借景的手法，運(yùn)用得很成功，園主確實(shí)費(fèi)盡了心機(jī)。因?yàn)橹胁炕▓@東西長(zhǎng)，南北窄，有一種壓抑感，浴室園主利用低洼的地勢(shì)鑿池疊山。用假山遮住兩邊的圍墻，而池面上留出了大量的空間，使人感到開(kāi)闊而深遠(yuǎn)。中部花園里的建筑物，大小不同，形狀各異，高低錯(cuò)落，疏密有致。
中園是拙政園的主體部分和精華所在。總體布局以水池為中心，分布著高低錯(cuò)落的建筑物，具有江南水鄉(xiāng)特色?，F(xiàn)在各位請(qǐng)看池島假山，池岸曲折，水繞山轉(zhuǎn)。假山上的“悟竹幽居”，山頂?shù)摹按ぁ焙汀把┫阍莆低ぁ秉c(diǎn)綴其上。從東面看，一山高過(guò)一山;從南面看，一山連接一山;從西面看，一山壓倒眾山，具有中國(guó)山水畫(huà)的傳統(tǒng)構(gòu)圖特色，也體現(xiàn)了“橫看成嶺側(cè)成峰，遠(yuǎn)近高低各不同”的意境。